The Toronto Urban Design Awards (TUDA) acknowledges and celebrates Toronto’s built environment, striving to “identify projects that are unequivocally public.” Winning projects were announced on September 13th during a private reception at the Palais Royale. ERA would like to congratulate the teams who contributed to 5 award-winning projects:
Broadview Hotel, Award of Excellence – Private Buildings in Context – Mid-rise
West Donlands Public Realm, Award of Excellence – Large Places and/or Neighbourhood Designs
619 Queen West, Award of Merit – Private Buildings in Low-Scale
Urban Infill in the Village of Yorkville, Award of Merit – Private Buildings in Low-Scale
Host Mikael Colville-Andersen covers feel-good stories from local community-driven initiatives to government-funded transit and harbour front enhancement projects. The city is promoted as diverse, personable and multi-faceted. This collection of stories is what defines Toronto as a livable city, one whose population growth continues to outpace all others in North America.
At the 28.20-minute mark ERA Principal Graeme Stewart introduces the Tower Renewal Project as an important endeavour to increase the viability of Toronto’s post war tower neighbourhoods.
Toronto the Good is back, ushering in a new season at a new venue! It is an annual party presented by ERA Architects (and friends) to celebrate the city of Toronto, and contemplate its history and evolution with fellow architects, designers, and urban-minded people.
For this instalment of our annual party we are supporting the initiatives of the Tower Renewal Partnership, an initiative working to preserve and enhance mid-century apartment tower neighbourhoods through research, advocacy and demonstration. International experts and local city-builders will be meeting at a symposium during the day to explore innovative strategies for transitioning these aging apartment tower neighbourhoods to meet the demands of our 21st century cities. Now is the time for coordinated action to build a future around more complete, resilient, and affordable cities. Tower Renewal is a strategy for realizing this change.
We hope you will join us at the Evergreen Brick Works on October 5th, 2017, in celebration of the Tower Renewal Partnership’s accomplishments at this year’s event. Join us for hors d’ourves, cash bar, and a lively crowd of people passionate about design and civic engagement in Toronto.
Admission is free, but registration is required for entry into the party.
Join us at 5:30pm for a keynote by author and journalist Doug Saunders.
Shuttle buses will be running between Broadview Station and the Evergreen Brick Works throughout the duration of the event.
When: Thursday, October 5th, 2017, 6:00 – 10:00pm. Where: Evergreen Brick Works
On Thursday, August 31st from 12:00 – 1:00pm at 117 Bloor Street East, Heritage Toronto will be hosting a plaque unveiling to commemorate Joseph Bloor. His surname harkens images of the city’s main cross-town artery and the path along which half of the TTC’s Line 2 traverses. What many do not know is that Joseph Bloor was originally from Staffordshire, England. He lived from 1789–1862, immigrated to Toronto in 1819 and is credited with founding the village of Yorkville.
ERA was hired to clean, conserve and erect the plaque commissioned in his honour by members and the congregation of the Bloor Methodist Church. After assessing its condition, it was determined that the original plaque – which is trapezoidal in shape and made of white marble – would be too fragile to leave exposed to the elements over time, so a replica was made out of concrete poured into a silicon mold. It has been finished with a faux patina that matches the original stone and sealed for protection.
The replica is mounted under glass and forms part of a permanent interpretative display at St. Andrews United Church. It is supported at the top and bottom with a continuous 1/4” stainless steel bracket attached to an armature.
Due to the fragility and historic value of the original plaque, it is in permanent storage at the Toronto Heritage Artifact Archives.
On Wednesday, July 19th, leaders in the development of Toronto’s Residential Apartment Commercial (RAC) Zoning by-law gathered at York University to celebrate and explore challenges and next steps in empowering communities to utilize Toronto’s newest zone. The esteemed panel had representation from property owners, entrepreneurs, community members, academics and city builders with Graeme Stewart, Principal at ERA Architect and the Centre for Urban Growth and Renewal as the Panel Moderator.
Michael Mizzi Director, Zoning and Secretary-Treasurer Committee of Adjustment, City Planning Division at the City of Toronto
Jason Thorne, General Manager Planning and Economic Development, City of Hamilton
Dr. Eileen de Villa, Medical Officer of Health, City of Toronto
Doug Saunders, Author, and Journalist
Maurine Campbell, Coordinator, 2667/2677 Kipling Avenue Tenant Association
Gobal Mailwaganam, Managing Director, Municipal Affairs & Housing and Operations CAPREIT
The evening provided a platform for the celebration of Toronto’s new Zone as well as a discussion about the next steps in rolling out the RAC Zone on a large scale.
In 2013, ERA worked with the City of Hamilton on updating their Downtown Built Heritage Inventory (DBHI) project that reviewed 789 properties of architectural and historical value in an effort to understand the built heritage resources within the downtown core and how they contribute to Hamilton’s character. Survey and inventory methodology was designed to apply to the remaining 6000 properties in the city’s inventory and incorporated the use of historic context statements that aide in identifying properties that contribute to the unique qualities and character of a neighbourhood. The inventory has informed funding programs, provided context for designations and educated the public.
In a continuation of this process, Hamilton City Council recently approved ERA’s recommendations for the Durand Neighbourhood Inventory. The Durand neighbourhood is one of four original neighbourhoods included in the City’s 1833 incorporation, known for the depth and diversity of its population and heritage architecture. The innovation at the root of the project is a database the firm developed to sit at the core of all processes – it stores and links all key inventory information in the cloud, making it accessible throughout the project. Its capabilities facilitated survey work in the field using a tablet, data crunching in the office, and the production of rich visuals that helped describe our findings.
Using our database, the collected historical and survey information integrated seamlessly with a geographic information system (GIS) dataset in order to capture, store, manipulate, analyze, manage and present spatial and geographic data. The end goal of the project was to provide recommendations for protecting heritage resources and managing growth within a changing urban context. The digital workflow allowed us to efficiently and thoughtfully survey the 1000+ properties within the study area, and leverage the database to analyze themes, trends and historical evidence. The final staff report, informed by our Durand Neighbourhood Inventory, was passed by Hamilton City Council on June 14, 2017 and included the addition of 736 addresses to the City’s Heritage Register, and 52 candidates to Heritage Staff’s designation work plan.
ERA project ambassadors Victoria Angel, Mikael Sydor and Angela Garvey have written a paper on the project’s digital workflow, which they presented at the CIPA International Biennial Symposium in Ottawa this fall. The International Society for Photogrammetry and Remote Sensing has recently published their paper.
The winners will be announced during the 43rd annual awards ceremony to be held on Monday, October 23rd at The Carlu from 5:30pm onwards. Tickets are currently on sale here.
As an additional point of interest, Heritage Toronto has invited ERA‘s Andrew Pruss to assist them in delivering an exciting day of heritage building exploration through their Great Architectural Bus Tour, set to take place on September 9th from 10:00am – 3:00pm. The tour begins at 10-12 Market Street and will feature a selection of past Heritage Toronto Architectural Conservation and Craftsmanship Award recipients, including ERA projects: Don Jail, Imperial Plaza and the Distillery District.
Kensington Market is one of the most culturally diverse neighbourhoods in Toronto, with a long history of fostering an organic, eclectic mix of sights, sounds and tastes within the context of a relatively low density, residential building stock.
Situated within this thriving cultural hub, ERA is working with Kensington Market Lofts on a long-term multi-stage revitalization of the local condominium buildings. The current project involves the rehabilitation of the building’s prominent east facade where moisture infiltration has begun to threaten the existing steel structure through penetration of the Terracotta brick façade.
The project team, in collaboration with the condo board determined that the installation of a wall-mounted public art piece would embody the rich textures and inclusivity of the neighbourhood, creating a ‘gateway’ to the cultural heritage landscape of the market while protecting the remediated underlying masonry.
Prominent Toronto artist and building resident An Te Liu developed the colour pattern of the panels with the intent of depicting an aesthetic that reflects the neighbourhood’s historic diversity. The distribution of the colours in the final pattern was drawn from an analysis of the percentage of colours present in the world’s national flags.
The significance of the approach is that the material sits comfortably within its bohemian context. It was important to pursue a strategy that did not feel out of place with the vibrant coloured awnings and shops spilling out onto the street. The project has embodied its physical location, facing one of Toronto’s most important thoroughfares, to provide a landmark that will invite people into the market at one of its primary entrances.
While not a tower renewal project, there are several aspects that have been informative for tower renewal endeavours. This has included:
Detailed thinking about construction sequencing without displacing residents.
Instituting a best practice approach to recladding of existing assemblies that takes into account long term durability, fire protection, improved insulation, and continuity of vapour barriers.
Showing how an initially functional imperative can be leveraged to provide a design approach with additional meaning for the residents and the community.
To access the recent Globe and mail article on this project by David LeBlanc, click here.
Since it first opened as Dingman’s Hall in 1891, the Broadview Hotel has been a landmark east of the downtown in the Riverside neighbourhood. Originally a venue for public meetings and commercial businesses, it first opened as a hotel in 1908. With the recent renewal, it has once again become a community hub for events and the hotel will host many new visitors to the area: we are pleased to announce that the building has its public opening on July 27, 2017.
Although the original architect is unknown, the building’s architecture is in the same style as Toronto’s Old City Hall, with unique and ornate exterior terracotta panels depicting animals and allegorical figures. The twenty-one individually sculpted panels are probably the most distinctive features of the building, fabricated with the same quality materials and craftsmanship that defined the city’s 19th century construction.
The repair of the historic building, and the contemporary glass addition achieve a balance that’s a welcome contribution to the evolution of this neighbourhood, and the newly created restaurants, hotel and rooftop bar and terrace reanimate this key corner site. It seems appropriate that the Broadview Hotel is at the intersection of two 24 hour streetcar lines.
The project was led by Streetcar Developments with ERA Architects, Atkins+VanGroll Engineers and Design Agency.
Pointing, repointing, tuck pointing, ribbon pointing, flush pointing, there are many techniques and they are all different. Tuck pointing is a style of jointing that was predominantly used on English brickwork from the late seventeen century and it continued in popular use through the early 20th century. Done properly, it is the most highly skilled of all pointing finishes and gives the illusion of finely pointed gauged brickwork on principal facades. It helped give the impression of quality to buildings constructed of damaged or irregular bricks. When laid in the normal manner of the day, such bricks produced walls with wide joints of irregular and uneven pattern which appear the sum of their constituent parts rather than as a coherent surface or plane. In the late 17th century the problem was avoided by using soft, rubbed bricks which could then be laid with thin, straight joints, however such work was costly. Tuck pointing was a less expensive alternative which seems to have been particularly popular for use on terraced housing up to the late 19th century. One of the most famous terraced houses in the British empire was tuck pointed: 10 Downing Street. While the technique is no longer in prominent use, knowledge of it is needed to repair those buildings which remain.
The effect is achieved by filling joints with a base mortar which has been coloured to match the surrounding brickwork. Where necessary, it covers the rounded or damaged brick edges in order to finish flush with the wall face. Over this is a narrow ribbon of fine, vernally white or cream coloured pointing material of well-sifted lime mixed with fine silica sand. This is skillfully applied or ‘tucked’ onto the regular grooved centres of the prepared joints and precisely trimmed to size.
Walking through neighbourhoods such as Cabbagetown, lower Rosedale and Parkdale, you still see the remnants of original tuck pointing on old brick buildings. This was a prominent aesthetic element throughout the city. However, it can be difficult to determine whether an historic building had been tuck pointed originally, mainly because of the sand blasting practice in recent decades.The abrasion of the sand on the surface removes paint and staining, but also often erodes the surface of the brick, mortar, and adjacent materials, including the tuck pointing ribbon if present, effectively removing any evidence of the brick building being tuck pointed.
Such a specimen can be seen at 62-64 Charles Street, where recent conservation work has restored the tuck pointed building to its former glory, under the expert hand of Hunt Heritage. This is the largest application of the process that ERA has been involved with and it’s an exemplar for bringing this lost craft back to the city.