We are happy to announce the release of The Signs That Define Toronto. Published and produced with Spacing, ERA partner Philip Evans and architect Kurt Kraler team up with Spacing’s Matthew Blackett and 20 contributors to reveal the history, culture, and stories of the city through its unique signage. The book is packed full of gorgeous historic and vintage photography and is accompanied by thoughtful essays on the social and cultural value of the city’s signage.Continue reading…
The University College is an architectural gem within the already famously picturesque University of Toronto campus. In a way, it’s the centre of the university, and when you look north up King’s College Road, your view terminates in what ERA’s Max Berg calls a “postcard building” from the 1850s.
It has been home to a library, a museum, a chemistry lab, and various class space. It survived a fire in the 1890s, and major renovations in the 1970s, with wings being added over time, and major interior and functional changes occurring throughout the building’s history. But the time has come, once again, to reimagine the building — especially where accessibility is concerned — while still maintaining its charm and style.Continue reading…
Read the English version of this feature below
Depuis 2019, le bureau montréalais d’ERA Architectes contribue en tant que spécialiste en patrimoine à la requalification d’un des lieux emblématiques de Montréal, l’ancien hôpital Royal Victoria. La silhouette iconique de l’ensemble, perché sur le flanc du mont Royal, représente un repère visuel autant à partir du centre-ville que du parc du Mont-Royal. Le projet du Nouveau Vic, mené par Diamond Schmitt/Lemay Michaud Architectes, en collaboration avec Claude Cormier et Associés, l’Enclume, Arup, Cima +, Pageau Morel et associés, et Bouthillette Parizeau, vise la réhabilitation de la partie la plus ancienne du complexe pour la convertir en centre de recherche et d’enseignement pour l’Université McGill.Continue reading…
ERA Architects is proud to announce our firm’s three new principals and the latest staff promotions and hirings. ERA is committed to connecting heritage to wider considerations of urban design and city building, while providing our staff with opportunities to grow their professional careers.
ERA Architectes est fière d’annoncer la nomination de Ève Wertheimer et de Jan Kubanek en tant qu’associés à la tête du bureau québécois de l’agence.
ERA Architectes œuvre au Québec depuis 2012 sur des projets de mise en valeur de l’environnement bâti existant, pour plusieurs clients des secteurs privés et publics. La nomination de Ève et de Jan consolide notre engagement à l’endroit de nos collaborateurs locaux, en appui à diverses initiatives architecturales et culturelles. Continue reading…
One of the first of its kind in North America, the 18-storey affordable seniors tower serves as a model for low-carbon, resilient future
January 19, 2022 (Hamilton, ON) – ERA Architects (ERA) and PCL Construction (PCL) announce the Ken Soble Tower in Hamilton, Canada, has become the world’s largest residential building retrofitted to the Passive House standard – achieving the renowned EnerPHit certification – while also marking the first retrofit of its kind in North America. Continue reading…
As the days get colder and we head into the final days of 2021, ERA is looking back at the recognition and awards we’ve received this year for some very deserving projects, alongside some fantastic teams who are looking forward and building our cities and communities into tomorrow. Continue reading…
Last week, Toronto City Planning brought forward to Council’s Planning and Housing Committee an interim report, Expanding Housing Options in Neighbourhoods: Multiplex Study. The initiative behind the report is exploring the potential to permit a range of low-scale housing types in Toronto’s low-rise neighbourhoods, as a key part of the solution to the city’s years-long housing crisis. Continue reading…
Building Information Modeling or Building Information Management (BIM) is the foundation of digital transformation in the Architecture, Engineering, and Construction industry (AEC). It is a highly collaborative process that allows architects, engineers, developers, contractors, manufacturers, and other construction professionals to plan, design, and construct a structure or building within one single 3D model. It can also span into the operation and management of buildings to make informed decisions based on information derived from the model— even after the building is constructed. Continue reading…
ERA is thrilled to announce that Graeme Stewart and Ya’el Santopinto have been named to the Royal Architectural Institute of Canada (RAIC)’s College of Fellows. This well-deserved honour is in recognition of outstanding achievement in architecture, and distinguished service to the profession and community. Continue reading…
Once the tallest building in the British empire, the Royal Bank building at 8 King Street East is a product of the skyscraper phenomenon that arrived in Toronto at the turn-of-the century. More than 100 years after its construction, the building has been renewed. ERA is wrapping up work on this project, which required the full and extensive conservation of the Edwardian skyscraper’s exterior. Continue reading…
Our iconic sites have a shared value, with a conceived opinion in the public realm. As residents, we understand and view these buildings with a collective lens made up of our past experiences formed individually and as a city. Continue reading…
Working closely with communities to create place-based, local designs is integral to ERA’s approach. In September, we celebrated the completion of Gordonridge’s new multi-sport court. This project was a collaborative effort through-and-through, with our partners at MLSE Foundation and Canadian Tire Jumpstart Charities, our client at Toronto Community Housing, and its users, the community at Gordonridge.
Gordonridge is ERA’s third project in partnership with MLSE and Jumpstart, developing place-based recreational spaces with community stakeholders, providing youth and adults a safe space to play and access a variety of sports and community events within their neighbourhoods.
The court is positioned at the heart of the tight-knit Gordonridge campus, a post-war apartment complex which is home to more than 800 households. Post-war neighbourhoods can sometimes offer disconnected car-centric, sprawling design. By contrast, Gordonridge’s “town square” is its collection of community-led initiatives: over the years, Gordonridge residents have built an apiary, community garden, market garden, and fruit orchard. The multi-sport court is designed to be the hub that connects these spokes, tracing accessible routes through the property. Pathways, along with shaded seating and gathering areas, encourage shared multi-generational use of the space — older residents on the way to the apiary, the youth on the basketball courts.
As the Prime Consultant and Landscape Architect, ERA developed and led a series of collaborative community design-workshops, developed a design that responded to what we heard, and provided ongoing communication with the key stakeholders throughout construction to ensure that the outcomes were in line with the neighbourhood’s vision.
Over the course of a year, ERA listened, tested ideas, shared meals, and played basketball at Gordonridge. We learned the community was selling honey from the apiary, and that residents were learning to cultivate its fruit orchard – but that access to those initiatives was challenging, so we drew paths along those desire lines. We learned from the youth that the senior residents would like a place to walk, and so we incorporated a walking circuit into the court. We found space for the local gardeners to create a small plot in the court. By the time the court opened late last year, the community were both co-designers and co-owners of the new space.
It’s a process that for us is a remarkable and exciting endeavour. We’re thrilled the neighbourhood feels the same!
We are patiently awaiting the spring when we hope the court will be in full use. The pandemic has not only delayed the use of the court but has underscored the importance of access to safe outdoor gathering spaces for exercise and fresh air.
The Gordonridge Commmunity Multi-Sport Court demonstrates the power of investment in communities, allowing residents of all ages to gather, exercise, play and continue to build local support networks so vital to our thriving cities and neighbourhoods.
MLSE Foundation has pulled together more great content, including the video above, over on their website.
Thanks to its careful conservation, and inclusive and accessible programming, Paradise is once again a space for the community to gather and celebrate. We’re thrilled to see this building reinstated as an important focal point for the local neighbourhood and are pleased to say the conservation community feels the same!
Paradise Theatre has recently won a Peter Stokes Award for Restoration from Architectural Conservancy Ontario. The award was followed by the Canadian Association of Heritage Professionals’ (CAHP) announcement the project had won an Award of Excellence in the Conservation – Architecture category. We’re honoured to be recognized by our colleagues provincially and nationally for this amazing project.
We’d like to take this opportunity to congratulate the entire project team on these achievements:
ERA Staff: Graeme Stewart, Jessie Grebenc, Julie Tyndorf, Shannon Clayton
Site owner: Moray Tawse
Prime architect: Ware Malcomb
Interior design: Solid Design Creative
Masonry: Clifford Restoration
Stainless Steel: Brascon Stainless Steel Fabricators Inc.
Signage: Pride Signs
Read more about the Paradise Theatre project.
Ontario’s smaller municipalities are facing a transformation. Many are making the transition from resource-based to diverse, creative economies, fuelled by population growth and an increase in local tourism in Ontario. As these municipalities look to prepare for growth, many farmstead owners are left with swaths of land ripe for adaptive reuse to add to the local economy and fill a community need.
ERA has had the opportunity to work closely with a number of these farmsteads and their owners in recent years. These property owners are looking for innovative adaptive reuse opportunities to help catalyze their local cultural economy by leveraging their heritage asset.
ERA engages with these projects using the framework of the Historic Ontario Farmstead. The Historic Ontario Farmstead typology helps us understand the distinct built and landscape features that characterize a farmstead – what are the visual cues that make a property legible as a farmstead? Do these features contribute to a broader agricultural landscape context? With a baseline understanding of these typological features, we ensure that their conservation or interpretation is top of mind throughout our project work.
ERA Associate Shelley Ludman (OAA OAQ) recently presented at the 2020 APT/National Trust conference on this theme. She spoke about three case studies, where ERA worked with local partners to re-imagine the uses of farmstead sites, relying on the Ontario farmstead typology. Two of these case studies are highlighted here.
Originally established as a hops farm in 2011, the owners expanded their offering in 2017, announcing that they would be opening a brewery on site. This decision was instigated by a local tourism boom, Caledon’s population growth, and a desire to encourage people to get outside and engage with agricultural sites in their vicinity. ERA worked with the owners to renovate one of the barns on their property, converting the vacant building into a brewing facility. Given the barn’s proximity to the road, most of the alterations were limited to the building’s interior, ensuring that it remained legible as a barn from the public realm.
In 2017, ERA was approached by Cambium Farms [link] to upgrade an 1873 barn facility, as the owners wanted to push their site’s potential beyond a seasonal single use. In order to serve a larger market, and draw a variety of users, they needed to upgrade a few key aspects of the site.
ERA considered how we could achieve the programmatic upgrades required while conserving and capitalizing on the cultural heritage value of the existing farmstead configuration. Two contemporary additions were built to accommodate washrooms, a prep kitchen and a formal entry for the lower level and designed with reference to the forms and materiality of farmstead outbuildings. We also worked with the owners to upgrade the bank barn’s lower level, previously used as storage, to create usable space during winter months. The renovated lower level now operates year-round, and the open floor plan facilitates programs such as yoga classes, pop-up dinners with local chefs, intimate concerts, and winter weddings.
These two case studies demonstrate how sensitive adaptive reuse projects can create opportunities for farmstead owners to contribute to an emerging rural cultural economy, while capitalizing on their sites’ historic value and character.
Spacing’s new book celebrates Toronto’s mid-century architecture, from landmark buildings like City Hall to unique elements of the time, such as the zig-zag roofs that can be spotted atop many of the city’s churches.
Edited by Spacing’s creative director Matthew Blackett and with photography by Vik Pahwa, much of the writing in the book has been provided by ERA staff.
Congratulations to Spacing on this beautiful publication. We’re thrilled to have our staff involved in such an evocative project celebrating an often forgotten form of Toronto architecture.
Over the past few weeks, Graeme Stewart and Ya’el Santopinto have had the opportunity to participate in webinars to share more about ERA’s tower renewal projects. A large focus of these talks have been about our learnings surrounding the retrofitting of the Ken Soble Tower in Hamilton, which is slated to be one of the largest EnerPHit-certified projects in North America.
We wanted to share these talks with you. For more take a look at the links below.
On May 1st, ERA is marking 30 years of heritage conservation, community building, and catalyzing change both in urban and rural settings. While we may not be able to celebrate together physically this year, we thought we’d take a virtual walk down memory lane to mark some of the themes behind our projects that have made ERA who we are today.
Urban transformation through adaptive re-use
One of the first widescale projects we took on as ERA was the Distillery District. As the Architect-of-Record for the overall Distillery District project and Heritage Architect for a series of the tenant spaces, we’ve seen how adaptive reuse of historic buildings can spark urban transformation.
The potential for this type of renewal extends beyond Toronto. The Booth Street Masterplan in Ottawa looks to apply the lessons learned through the Distillery District project, scaling these approaches for the local context to celebrate Ottawa’s heritage and provide new opportunities for growth.
Supporting transitioning and rural economies
Many smaller communities across Ontario and the country are struggling with the transition away from resource-based economies. While our Small initiative helps support these towns through engagement and community building, other architecture projects like Cambium Farms and Goodlot Brewery in Caledon and the Drake Devonshire in Wellington have helped cultivate new local economies fuelled by small businesses.
A national approach to heritage
In recent years, ERA has looked beyond Toronto, and even beyond Ontario, to bring a national approach to our work. Our offices in Ottawa and Montreal, where we have a partnership with Kubanek Architecte, have been growing, and we’ve taken on new and exciting work in Alberta. These projects range from largescale architecture work at the University of Alberta, to more community-based placemaking and adaptive re-use projects in Banff.
Resource sharing and collaboration
At its centre, heritage conservation is a collaborative process. We learn best practices, new techniques and innovative ideas from our heritage colleagues across the globe. This collaboration extends beyond the heritage field and into how we approach all our projects. We work closely in collaboration with our teams to better understand the challenges and needs of our projects in order to reach our full potential.
Resiliency in the 21st century
Building more resilient communities requires a collaborative effort, from low energy retrofit of existing buildings, to off-the-grid new homes. Evergreen Brick Works in the heart of the Don Valley floodplain is a shining example of the success of this work. The challenges of updating the buildings on site for 21st century use while incorporating innovative flood management and response solutions could only be accomplished by working across industries.
Our Tower Renewal work has resulted in the retrofit of thousands of units of housing as healthy, resilient and low energy homes. This includes the Ken Soble Tower, North America’s first Passive House tower retrofit, now under construction.
Resiliency doesn’t just mean preparing for a changing climate, but also building infrastructure that allows for support networks to flourish. Upgrading the existing spaces for accessibility in all our projects is core to our practice. Many of our Tower Renewal projects include building accessible community spaces like sport courts and mixed-use rooms to encourage connection between residents, many of whom are elderly and at an increased risk of social isolation.
While these themes may encapsulate some of our work from the past 30 years, they also provide a look into what the next 30 years may have in store. We look forward to building upon these approaches and continuing to celebrate our cultural heritage and values with you — our collaborators, clients and community.
Dear Clients and Colleagues,
Arising from the continued spread of COVID-19, the World Health Organization’s ‘global pandemic’ declaration, the State of Emergency called for the Province of Ontario and health emergency declaration by the Province of Québec, ERA Architects Inc has been working to adapt our work practices in order to help ‘flatten the curve’ of the potential spread of the virus. These practices will ensure the quality of our work remains high and we are able to continue serving the needs of you, our clients and colleagues.
To achieve this, ERA will be moving primarily into a virtual office mode, with meetings conducted by conference call or video software. As always, our team of architects, planners and specialists are on call and fully mobilized. Required in person meetings, such as architectural site visits, will be conducted following best practices in health, and in partnership with clients and constructors to ensure the health and safety of all parties.
Be assured that ERA’s commitment to you is to keep the caliber of work high; to understand and respond to changes beyond our control as quickly as possible; and work with our clients and colleagues to address these issues on a project-by-project basis. Our shared deadlines and goals are important to us, and we are making the changes needed to both adhere to the advice of Health Canada, the Ontario Health Agency and Toronto Public Health, and keep our workflow moving.
If you have any questions or comments, please don’t hesitate to contact us.
ERA Architects Inc.
The Senate of Canada Building has been awarded a 2020 Civic Trust Award, the longest-running international awards program recognizing outstanding architecture, planning and design in the built environment.
The award was given to Public Services and Procurement Canada, Diamond Schmitt Architects and KWC Architects on Friday, March 6 in Manchester. The Senate of Canada Building was just one of two North American projects to win the award. As heritage architects on the project, ERA is thrilled to congratulate our project partners on such a notable achievement.
Constructed in 1912 as Ottawa’s Union Station, the Senate of Canada Building is one of the most important cultural and historic landmarks in Ottawa. The building is an excellent example of the Beaux-Arts railway station tradition, popular in the early 20th century. In 1966, with the decline of passenger railway travel, the building narrowly escaped demolition and was converted into the Government Conference Centre. The former station has since been refurbished to accommodate the Senate of Canada during the rehabilitation of the Centre Block.
ERA worked as heritage architects from 2014 until 2018 together with Diamond Schmitt Architects and KWC Architects in joint venture. Our work included a full rehabilitation of the building’s exterior and interior, ensuring it could appropriately accommodate the Senate of Canada.
The building was recognized by the Civic Trust Awards Panel for its adaptive re-use: “A bold re-use of an old building which recognises the gravitas of the original can be repurposed for social and environmental benefit, with a strong identity and a real architectural clarity,” read the comments.
Photo courtesy Jesse Colin Jackson
Over time, Canada’s aging mid-century towers have become the backbone of the country’s affordable rental supply, home to hundreds of thousands of low and middle-income households across the country.
There are 2,000 postwar apartment towers located throughout Ontario’s Greater Golden Horseshoe Region alone, representing nearly half of the region’s affordable rental stock. In 2006, more than 40 per cent of tower households in the city are considered low-income, up from 25 per cent in 1981. As the housing crisis continues to mount, it’s only imaginable that this number continues to rise. Maintaining these largely privately-owned buildings to ensure their continued affordability is a vital and necessary part of improving Toronto’s housing ecosystem.
ERA’s Tower Renewal projects focus on rehabilitating these aging and neglected towers, creating comfortable, affordable and healthy homes for residents. These tower renewal projects also include energy-efficient and low-carbon retrofits that help maintain affordability while limiting the impact on the environment.
Through the Tower Renewal Partnership, ERA collaborated with the City of Toronto and ULI Toronto to host a week of events focused on exploring how we can better retrofit our apartment towers in order to create a more resilient city.
The week culminated with an Advisory Panel on Friday, February 28, where experts focused on solutions, providing a series of recommendations to the City to encourage broad investment in the improvement of private apartment towers while maintaining rents at affordable levels.
The recommendations emphasized the importance of acting swiftly when it comes to retrofitting these towers. They include: incentivizing higher levels of affordability and accessibility, accelerating tower renewal with a retrofit program and more. Watch the presentation below, and for the full list of recommendations, visit the Tower Renewal Partnership website.
These conversations could not have been held at a more critical time. This week, residents began to return home to their building at 650 Parliament Street following an August 2018 electrical fire.
The displacement of the building’s more than 1,500 residents paints a clear picture of the potential future of some of our towers if they are not upgraded to ensure they remain safe and affordable for Torontonians. ERA principal Graeme Stewart was interviewed on CBC Radio’s The World at Six about Tower Renewal and 650 Parliament.
Alexis Cohen presented at CAA’s 108th Annual Conference, held in Chicago February 12-15, 2020 as part of a panel exploring zoning in the histories of modern art and architecture. The panel was hosted by Christopher M. Ketcham and Deepa Ramaswamy.
The CAA is the preeminent international leadership organization in the visual arts, and promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners. CAA (collegeart.org)
Her paper, “An Incremental Urbanism: Zoning Infractions at Toronto’s Honest Ed’s and Mirvish Village, 1943-1963,” examines user-driven zoning infractions that led to the incremental creation of Toronto’s most beloved and iconic discount retailer – Honest Ed’s – and the adjacent artists’ colony known as Mirvish Village.
This research emerged from ERA’s work as heritage consultant for the redevelopment of Honest Ed’s and Mirvish Village. Special thanks to Amanda Ghantous for her research support.
Public art has the ability to represent and celebrate the identity of a place. As an architecture firm specializing in built heritage and cultural values, we are increasingly interested in how art and other placemaking interventions can not only represent unique histories but do so in a way that transforms underused spaces into thriving places for community.
We’re seeing this idea come to fruition through Small, which works with communities to express cultural heritage in a tangible way.
In November, local residents, the Township of King and Small celebrated the opening of Memory’s Gate, a new public art installation in Laskay, a rural village located northwest of Toronto.
Together with the Township of King’s Parks, Recreation and Culture department and the public art committee, Small created an architectural installation that recognizes the heritage of the village – both intangible and tangible.
Memory’s Gate is a weathered steel archway etched with lines from the poem that served as its inspiration – “Musings at Memory’s Gate” by King City’s Reverend Martin Jenkinson. The poem, written in 1953 and included in the Laskay Women’s Institute 60th Anniversary Portfolio in 1968, speaks to community connectivity across generations.
The Gate connects tangible and intangible heritage of the village with the ever-changing landscape of the Humber River Valley. The artists hope to inspire contemplation and reflection for those who take rest upon the bench, which is fastened to a boulder that once sat outside the historic Laskay hall.
We’re thrilled the piece is already sparking conversation and remembrance for the Laskay community. At the unveiling, community members gathered to hear about the piece and to share their own memories of the village from decades past.
ERA and Small would like to thank those who helped shape the project along the way, as well as the Township of King for the wonderful placemaking opportunity. A special thank you to the Laskay Women’s Institute, who granted the reproduction rights of the poem on the gate and bench, and to FILOTIMO for providing excellent collaborative approach to Memory Gate’s fabrication and installation.
Learn more about Small, a initiative developed by ERA that works with rural and remote communities across Canada to express their unique cultural values, whether that be through artistic installations like Memory’s Gate, or with the revitalization of local main streets and creation of visionary masterplans.
Cultural heritage is influenced and shaped by communities and their histories. In Toronto, this means much of the city’s cultural heritage is impacted by the multitudes of different communities that call it home.
One theatrical production is giving this cultural heritage a sound. The Ward Cabaret is back in Toronto after a sold-out run at last year’s Luminato Festival.
Presented by Juno-winning, Grammy-nominated musician and producer David Buchbinder, the first full production of this experience brings together musical influences and sounds from around the globe with a distinctly Toronto twist as it reimagines the vibrant music and stories of a community that was the first home for many Canadians.
St John’s Ward, bordered by Yonge to the east, University to the west, Queen to south, and College to the north, was Toronto’s earliest significant immigrant enclave, from the late 19th to the mid 20th century. With Jewish, Irish, Italian, Chinese, African, and a number of other cultures living side by side in great density, the Ward has incredibly rich cultural stories for Toronto.
Many of these overlooked stories are captured in the books The Ward: The Life and Loss of Toronto’s First Immigrant Neighbourhood and The Ward Uncovered: The Archaeology of Everyday Life – both edited by ERA’s Michael McClelland — which served as inspiration for The Ward Cabaret.
The Ward Cabaret is a creative reimagining of how it would have sounded to walk the streets of this historic neighbourhood, with songs and melodies from communities around the world intermingling and influencing one another.
ERA is thrilled to be involved with such an amazing production that depicts life in one of Toronto’s first cross-cultural communities. The Ward Cabaret is running December 12-23 at the Harbourfront Centre. Get your tickets on the Harbourfront Centre’s website or find out more at wardcabaret.com. Bonus offer: Buy one ticket, get another free when you use the code WeAreTheWard241. Active until December 6.