Wednesday morning’s design forum took a slightly different approach this week. The ERA team went on a field trip down to the Don Valley Brick Works, a site ERA has been working on since 2002, to meet up with the George Brown Masonry students. ERA has been performing site review to the masonry students who are in the second year of their Building Restoration Technician Program.
Professor John Jensen, an experienced heritage mason, provided us with a hands-on demonstration of various types of mortar batching including: lime putty and sand; hydrated lime, sand and water; and a pre-bagged Dubois mix which has hydraulic lime. Each mortar has it’s own unique characteristics, and we were able to explore each in turn. Once we had the mortar batched, everyone took a turn at pointing a mock-up wall.
The hands-on experience gave everyone a taste at the work involved in providing specific pointing profiles and techniques, as well a better understanding of the tools, techniques and craft of fine masonry.
UC at the University of Toronto. Building designed by Cumberland and Storm, 1856-7.
This past Friday Scott gave an internal presentation about the different types of window and door openings in masonry construction, how to write about and describe each element correctly, and how these elements can help to locate a building within a specific historical period.
The presentation also included a brief tour of some architectural wonders in his hometown of Detroit, MI – many of which are currently for sale at rock-bottom prices.
More images from Scott’s extensive catalogue of architectural photographs are available on his Flickr page.
Download the full 2009 edition of North York’s Modernist Architecture in PDF format.
This document contains the complete, unaltered original 1997 report and inventory, along with updated photographs and new contributions from Lloyd Alter, Geoff Kettel, Edith Geduld, Moiz Behar, Michael McClelland, Kim Storey, Leo deSorcy, Helene Iardas, Joey Giaimo, and William MacIvor.
The PDF version presented here is substantially similar to the hard-copy booklet which was distributed at the October 29th, 2009 forum on North York’s modernist architecture. We are happy to present it in electronic format, such that it may be accessed by the greatest number of people possible.
A word of warning – the file is large (22mb), and may take a few minutes to download. Additionally, please use Acrobat to view the document (not Preview), to ensure that the images are clear and sharp.
ERA Architects is helping out with an upcoming forum on North York’s modernist architecture that is taking place this Tuesday evening at the North York Civic Centre. The forum focuses on raising awareness for modernist buildings and landscapes in the city. The event includes a panel discussion consisting of Dave LeBlanc (Globe & Mail), Leo deSorcy (City of Toronto Planning Division), Kim Storey (Brown and Storey Architects) and Lloyd Alter (Architectural Conservancy of Ontario). The discussion will be moderated by Matt Blackett of Spacing Magazine.
We will be contributing to the event by printing an update to the document, North York’s Modernist Architecture, put together by the City of North York in 1997. The original document was developed to underline the importance of modernist buildings, and many that were featured found their way onto the City’s Inventory of Heritage Properties. The updated document – available exclusively at the forum – will include the original in addition to new essays by the featured panelists and current photographs of a number of these buildings.
Tuesday, October 27th 2009
Council Chamber, North York Civic Centre
5100 Yonge Street
7 – 9:30pm
Modern buildings are funny things. Their proliferation has been accepted as the common typology for city forms, yet they are often perceived as a banal insertion to the city’s skyline and an impediment towards a richer public realm.
Following a recent talk at Heritage Canada’s annual conference on the adaptability of modern buildings, I was asked about the possibility (if any) of “fixing” the maligned relationship between these buildings and the public realm. I perceived this question as one that considered this association over with little chance of reconciliation.
Modernism’s indifference does not sit well with many, and it was evident that an optimistic approach on its structures’ adaptability would not be accepted with immediate enthusiasm.
In their book Collage City, Colin Rowe and Fred Koetter critiqued the city of modern architecture against the built conditions of the traditional city. With the adeptness of the ‘bricoler’, Rowe and Koetter state that these early city builders had the ingenuity to maneuver within and around the city’s built forms and spaces in order to complement and integrate with their surroundings. Referring to existing conditions became a moot point in the Modernists’ agenda and was largely disregarded for an opportunity to begin anew.
With some irony, it is this disregard that opportunistically positions the current generation of city builders. Presented with these latent resources, the buildings and landscapes of the recent past are now prime for reconsideration.
As they move well beyond the years of their life expectancy, the bricolers for this generation need to rethink, react to, interrogate, exploit, and most important, understand these buildings and landscapes in order to reconsider their initial ideals and to fully explore these inherited opportunities.
Wychwood Barns under (re)construction
Grand opening weekend
A collection of street car barns constructed between 1913-21, the Wychwood Barns are the oldest surviving carhouses built as part of the Toronto Civic Railway, a transportation system with a significant role in the development of the annexed areas in the City of Toronto. When completed, the facility accommodated 50 cars inside and another 110 outside, with access to the yard via nine tracks.
ERA was the heritage consultant for this project, and was involved from the Building Permit application through to project completion. Services included providing a Conservation Plan, preparing working drawings for the alterations to the Barns, and helping to complete the Heritage Easement Agreement. Additionally, ERA worked with Gottschalk+Ash International on wayfinding and site interpretation, and with David Leinster and the Planning Partnership to convert the remaining land on the site into a new public park.
Posters by French Graphic Designer Jean Carlu, brother of Jacques Carlu – the original designer and subsequent namesake of the Carlu.
(images via l/r)
The interior of the Carlu is the wealth of small, custom details – from the lights to the central fountain to the return-air grilles. The grilles especially are miniature art-deco treasures, and demonstrate an artful way of elevating a necessary ‘building-systems’ component into an element which helps define the atmosphere of the larger space.
Historic photograph of the foyer of the Carlu, with grilles in place.
The grilles as they were found prior to restoration.
The restored grilles.
John Lyle’s original vision for the north-western entrance to the City of Hamilton.
Reminded me of John Lyle’s plan for Federal Avenue in downtown Toronto, linking City Hall to the north to his Union Station to the south. Civic building on a monumental scale – interesting to imagine how it would have changed both the historic development and the overall character of Toronto.
For more information on John Lyle, Coach House Books has just published a new book on his work titled A Progressive Traditionalist.
(top image from Architecture Hamilton, via myhamilton.ca, lower image altered from an original found at dreams of grandeur)
from the January-February 1936 issue of Canadian Homes and Gardens magazine.